A year and a half later and We’re All Gonna Die Season 2 has officially launched on CraveTV. Being a part of a team and reflecting on all the work that went into the final product are some of my favourite and most rewarding parts of this job. The fact that I get to MAKE FILMS… for a living? Is a privilege and honour that never fails to awe and inspire me.
I had the pleasure of joining the team behind the film THE BOY IN THE WOODS this year with editor Robert Swartz, CCE.
We are SO thrilled and delighted and grateful to the Canadian Academy for honouring WE’RE ALL GONNA DIE (EVEN JAY BARUCHEL) with four Screen Awards:
A put-upon worker snaps out of her passive path thanks to a chance encounter with a charismatic busker…
From Nostradamus to the Book of Revelations, we are a species obsessed with our potential extinction. We're perpetually paranoid about cataclysmic events, and yet we're still here—for now. Jay Baruchel dives into our collective fears to dispel (or in some cases verify) the hype and calculate the odds of apocalyptic events, from nuclear Armageddon to a massive asteroid impact.
Both are truly such good questions. This blog is going to focus on WHY I decided to join Kelly and Ellen on this fantastical journey. After I had dinner in the summer with Kelly, she sent me all eight scripts. I read them through a couple of times, really trying to understand the characters, motivations and comedy beats. The more I read it, the more I felt like these people were very real.
A year ago, I discovered The Lizzie Bennet Diaries. After several intense weeks of constant youtube watching, the show was suddenly over and I wanted more. I researched and came across the real production company behind this web series: Pemberly Digital. Okay so maybe I was attracted initially to the Pride and Prejudice reference, but upon further inquiry, I realized that this was a special production house that modernized nineteenth century literary classics into modern and accessible stories.
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