A year and a half later and We’re All Gonna Die Season 2 has officially launched on CraveTV. Being a part of a team and reflecting on all the work that went into the final product are some of my favourite and most rewarding parts of this job. The fact that I get to MAKE FILMS… for a living? Is a privilege and honour that never fails to awe and inspire me.
I had the pleasure of joining the team behind the film THE BOY IN THE WOODS this year with editor Robert Swartz, CCE.
We are SO thrilled and delighted and grateful to the Canadian Academy for honouring WE’RE ALL GONNA DIE (EVEN JAY BARUCHEL) with four Screen Awards:
A put-upon worker snaps out of her passive path thanks to a chance encounter with a charismatic busker…
From Nostradamus to the Book of Revelations, we are a species obsessed with our potential extinction. We're perpetually paranoid about cataclysmic events, and yet we're still here—for now. Jay Baruchel dives into our collective fears to dispel (or in some cases verify) the hype and calculate the odds of apocalyptic events, from nuclear Armageddon to a massive asteroid impact.
Have you ever watched a film and thought - WOW! I want to go to that party? There are the traditional films that make use feel like we can’t breathe: Bridesmaids, Eurotrip, American Pies, The Great Gatsby, The Wolf of Wallstreet, etc. etc. etc. I’m interested in the more nuanced, this is a party but there is so much more going on here, type scenes. Here are a few I am going to brag about.
Both are truly such good questions. This blog is going to focus on WHY I decided to join Kelly and Ellen on this fantastical journey. After I had dinner in the summer with Kelly, she sent me all eight scripts. I read them through a couple of times, really trying to understand the characters, motivations and comedy beats. The more I read it, the more I felt like these people were very real.
This past summer, I made a pledge to up my anti and get into scripted content. I took a course a year before at LIFT for Web Series writing. I have written any number of pilot scripts - some which have never seen the light and others that are still in development. I thought tackling the world of short-form writing was a good way for me to stay connected to one story and didn’t tax me too much with my full time job.
Having read the reviews before watching the production on stage, I realized I was preparing myself for all those moments the critics reported: silences, the feelings of loss, frustrating unrealized potential, the perfect play for millennial misfits, etc. What I didn't expect was the tears. I was barely able to clap and woot at the end, so much was I chocking on emotions that Annie Baker brought out through sparse dialogue.
What a way to end the Hot Docs Filmmakers Series with Brett Story. Linda Barnard, as majestic as always, led the discussion on our final week together. Director of LAND OF DESTINY and A PRISON IN 12 LANDSCAPES. Brett Story. Where do I begin? Brett proves that hard work, determination, and willpower are enough to produce the awe-inspiring and lyrical documentaries that she has been able to create in such a short period of time.
Hot Docs, you are spoiling me WAY too much. Patricia Rozema - Alethea Arnaquq-Baril - Christina Jennings - and now Rama Rau!
Rama directed THE REHTEAH PARSONS STORY, MARKET, and most recently LEAGUE OF EXOTIQUE DANCERS.
A friend of mine pointed me in the direction to a new and amazing filmmakers series at Hot Docs. She was most excited to see Patricia Rozema, and I instantly signed up - feeling her excitement and mine grow! The series is moderated by Linda Barnard, a journalist / writer who previously championed another series focusing on gender.
What a crazy four months it has been for me and At Shutter Speed. It is officially the new year for my blog, but I am already a third of the way through the year. So happy 1/3 third of the new year!! I think it is the perfect day to blog because tomorrow is National Canadian Film Day and next week Hot Docs International Film Festival begins.
Two weekends ago I had the privilege to spend the day with a small group of editors and Ricardo Acosta. Ricardo Acosta was born in Cuba and moved to Canada to pursue his passions for storytelling and art.
"I was born into an ideology and punished by an ideology" - Ricardo
He is one of the few who are born with the gift of storytelling. He shared detailed philosophies with us and screened his feature length documentary, Marmato.
One of the many people I got to spend time with at TIFF 2015 this year was a woman named Angela Barnhardt Thomas.
Angela Barnhardt Thomas and Me at TIFF 2015
She is the producer of Waiting for Mamu (2013), a doc that travelled world wide to raise money for Mamu's school.
Social issues docs have the power to educate, demystify, and bring awareness to an otherwise ignorant viewer. This doc has since successfully raised over 1 million dollars.
This is the power of cinema! And it is achievable when hard working / passionate people like Angela are a part of the team.
Being fairly new to the industry and using TIFF as a platform to meet with established film professionals, I was blown away at how approachable and knowledgable Angela was. Not only did she patiently answer all my questions, but she even made script suggestions and helped me understand the industry better.
It was a true pleasure attending TIFF programming with her and we were able to discuss a variety of topics on break. Angela and I also talked about her current project, a doc about Charles James, and I am so thrilled to see that subject bloom into a feature length video.
Click HERE for more info from the MET exhibit from 2014.
Sometimes it is about these chance meetings in life that really provide us the support and inspiration we need to be successful. And it is the people we surround ourselves with that help us define who we are and where we are headed.
I am happy to call Angela a friend and look forward to future meetings together. NYC here I come!
- Jenn
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